More than a few writers have talked about the place where Joy and Sorrow meet.
In a moment of deep contentment, someone may say, “I’m so happy I could cry!” And in the moments of deepest and most unutterable joy, we say nothing at all. We don’t live long before we learn that tears are more precious than diamonds, and the best tears are tears of joy.
When those joy-tears come, we usually don’t analyze them; we live the moment. But if the time comes to talk about such moments, author J. R. R. Tolkien, most famous for his amazing Lord of the Rings trilogy, has kindly coined for us a very good word.
That joy and sorrow are so closely intertwined is ironic. And so, at first glance, seems Tolkien’s word: “eucatastrophe.” “Eu-” is a Greek prefix meaning “good,” and “catastrophe”? Most of us are all too familiar with the word and the situations it describes.
“Catastrophe” is a Greek word brought directly into English that means “destruction.” According to Webster’s, it has come to hold such decidedly negative meanings as “a momentous tragic event ranging from extreme misfortune to utter overthrow or ruin,” a “violent usually destructive natural event,” or an “utter failure.” Understandably, most of us seek to avoid such. I think of the crash of the Hindenburg (see the first meaning). Or, more personally, I remember the first time I sang publicly in a quartet and we started the same song in different keys (see the third meaning).
But the word first had, and still has, a more technical meaning. In literature, especially in tragedy, the “catastrophe” is the technical term for the final conclusion or “unraveling” of the drama’s plot. No surprise that in tragedy, that conclusion is sad. Tragedies in literature, by definition, have sad endings.
Ah, but fairy tales are different. A true fairy tale always has a happy ending. Thus the master wordsmith Tolkien coined the word “eucatastrophe” to describe just such an ending: “I coined ‘eucatastrophe’: the sudden happy turn in a story which pierces you with a joy that brings tears (which I argued it is the highest function of fairy-stories to produce).” He goes on to explain that what we call fairy tales actually point to the deepest truth and happiest ending of all (really a beginning), that good will overcome evil.
Tolkien knew that the Cross and Resurrection are no fairy tale. He speaks deep truth when he says that “the Resurrection was the greatest ‘eucatastrophe’ possible.” Its truth “pierces” us with “a joy that brings tears.”
The writer to the Hebrews puts it this way: “Let us fix our eyes on Jesus, the author and perfecter of our faith, who for the joy set before him endured the cross, scorning its shame, and sat down at the right hand of God” (12:2).
“Christian joy,” Tolkien writes, “produces tears because it is so qualitatively like sorrow, because it comes from those places where Joy and Sorrow are at one, reconciled.”
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Copyright 2019 by Curtis K. Shelburne. Permission to copy without altering text or for monetary gain is hereby granted subject to inclusion of this copyright notice.